Google News 
Two decades ago, the cinematic universe was dazzled by a South Korean masterpiece named "Oldboy." Directed by the genius that is Park Chan-wook, it served as a robust introduction of South Korean cinema to the global stage.
Its impact was colossal, winning the Grand Prix at the 2004 Cannes Film Festival, and earning admiration from cinephiles worldwide. While the film is visually sumptuous and is particularly noted for its groundbreaking hallway fight sequence, it's essential to recognize its layered narrative.
At its heart, "Oldboy" is not just a tale of revenge but a profound exploration of guilt, morality, and the very human consequences of vengeance.
Park's Unique Cinematic Roots
What further enriches the fabric of "Oldboy" is Park Chan-wook's unique background.
Before becoming a revered director, he steeped himself in philosophy and then dabbled in film criticism. This trajectory isn't unique — greats like Paul Schrader and several French New Wave directors began as film critics.
Such a foundation imparts a rich subtext to their cinema, asking viewers to read between the lines, and "Oldboy" is a prime example. The plot might seem straightforward: Oh Dae-Su, portrayed with haunting intensity by Choi Min-sik, is imprisoned mysteriously for 15 years and, upon release, seeks revenge.
But delve deeper, and you find a labyrinthine narrative questioning the very nature of revenge. Why do we, as viewers, find ourselves rooting for vengeance? What does it achieve? Park Chan-wook doesn't merely glorify revenge; he examines it, dissects it.
He presents the ugliness, the emptiness that follows, forcing viewers to reflect on their innate thirst for cinematic retribution. This genius subversion is what makes "Oldboy" stand tall among its peers. Park’s perspective is clear — his films, especially the "Vengeance Trilogy," are not mere tales of revenge but deep examinations of morality and guilty consciences.
"Oldboy" is a beacon in the world of revenge films. Its brilliance isn't just in its action or storytelling but in its challenge to viewers. It prompts us to question why we crave such stories, why we are magnetized by on-screen violence, and the toll it exacts.
Park Chan-wook's legacy extends beyond "Oldboy." His filmography, including the recent "Decision to Leave," is a testament to his unparalleled skills and profound understanding of the medium. In an era where South Korean cinema is gaining prominence, with movies like Bong Joon-ho's "Parasite" captivating global audiences, "Oldboy" remains a defining gem.
It's a film that not only invites repeated viewing but demands it. As it returns to theaters this August 16, seize the opportunity to witness cinematic brilliance, and reflect upon the very nature of revenge.
